Wednesday, January 30, 2008

Flashback 1975: Kick Starting True Romance

The girl was a stunner.

Long blonde hair cascaded from her shoulders to the middle of her back. She was an Italian beauty with skin the color of honey. I’d met her on campus in an advanced writing/communications course, where I was the only freshman in a class developed for juniors. She was two years older than me and the captain of the equestrian team. Her name was Roxanne, and she did for jodpurs what liquid rocket fuel did for the US space program.
Jodpurs-all the right gear, all the time

Besides myself, there were 25 other dim bulbs in this class of literary aspirations. It didn’t matter that I was an unpublished smart ass, who delivered opinions faster than Dominoes delivered pizzas. I still figured I could be a rising star. My first opportunity came when the instructor challenged me to critique the work of another student before the group. I took a breath, glanced around, and started critiquing with a chainsaw. Three minutes later, the deed was done and severed body parts were twitching on the floor. The venerable instructor agreed with my points. And when the class had ended, this blonde came up to me and said:

“I helped that guy write that story. You’re an asshole.”

Some men have great smiles. Other men have bodies like tanned iron. I have a line of bullshit as wide as an airport runway. I’ll take it over the other two every time. Coupled with my patented “clubbed baby harp seal look," it used to deal me into some pretty good games.
The patented baby harp seal look

Here it was two months later, and this same Italian beauty was straddling the back of my 1975 Kawasaki H2 750 Triple, on her way to spend a night camping in Harriman State Park, some 60 miles away. All I could think of was, “The baby harp seal is not clubbed in vain.”

The 1975 Kawasaki H2 750 Triple remains one of the most primitive and savage machines in biking history. It had the the hurriedly copied lines of a standard British bike and all the mechanical finesse of a chipper. The oil was injected into the cylinders from a tank under the seat and it usually started on the second kick. The choke was a lever on the handlebars, which beat reaching down to find a button somewhere under your balls. It was my first bike, and I had had nothing to compare it with. So it was fantastic.
1975 Kawasaki 750 Triple

The machine was light, powerful, and quick. You could snap your neck or slide right off the seat in four gears. But that two-stroke engine sounded like a lawnmower on steroids and it went everywhere in a cloud of smoke. It had a suspension that made a rough road feel like getting laid on hard ground over a thin sleeping bag. And since that was my weekend objective for most of the time I owned the bike, what was there to complain about?

The only accessory I could afford to put on this bike was a sissy bar and a pad. This kept “Roxanne,” and other women who came later, from becoming the unintentional slide victims of fast starts. It also served as an anchoring point to which camping gear, such as I had, could be secured. On this trip, we carried a cheap tent, a sleeping bag, a blanket, and a plastic bottle filled with vodka and cranberry juice. Nothing but the absolute essentials.

It was after rush hour when we pulled away from the curb, in Rutherford, NJ, on a clear Friday night in late May. We had dinner in a steak joint and roared onto Route 17 at dusk. (It wasn’t really a roar. It was more like, “Yinnnnnnngggggg Ying Ying Yingggggggggggg!”) Traffic was murderous on this road 35 years ago. Yet at 18, I didn’t give it a second thought. Three of the world’s first malls were at the confluence of Rt. 4 and Rt. 17, in Paramus, NJ, which lent a warm, grindhouse atmosphere to the 20 or so feeder ramps that a rider would encounter in that two-mile stretch. (I understand it’s worse now.)

Two-up on a short wheelbase with gear loaded high gave the bike a slightly top-heavy feel that was easily overcome by twisting the throttle. I twisted it all the way up to the New York/New Jersey State line. The terrain changed abruptly at the border. Rt. 17 was a much nicer road in New York. It followed the Ramapo River through the old town of Sloatsburg, which still had a strong sense of independent character in those days.

Seven Lakes Drive -- the entrance to Harriman Park -- loomed on the right, but I didn’t take the turn. The next town up the line is Tuxedo, which was once the home of an exclusive club whose members popularized a certain kind of formal evening suit. My immediate destination was just on the other side of town. The “Red Apple Rest” was an incredible combination of New York City deli and ice cream stand. Buses were welcome. Bikes were welcome. Hell, train crews from the Erie Lackawanna, whose tracks ran in back, were welcome. It was a great place to stop for coffee, or a drink, as this joint had a bar and the drinking age in New York was 18 at the time.
Legendary Red Apple Rest

I had a rye and ginger, made by an ancient barman who regarded my drinking at his bar as the end of civilization. Roxanne used the last flush toilet she would see for 14 hours. I was always amazed how every eye in the place followed her wherever she moved. (Please see jodpurs above.)

Fifteen minutes later, we turned onto Seven Lakes Drive. The high beam pierced the darkness like a stiletto. The quivering light cast interesting shadows and converted the road into a black and white movie. I slowed to 50 miles per hour, never giving a second thought to the legions of deer that move about this place. This road was initially put through just prior to the first World War, and the few intersections are marked with tight little traffic circles. Several of these are covered with grass. In daylight, I would be able to see tire marks bisecting a couple of these islands, where motorists had been taken by surprise.
One of many beautiful views on Seven Lakes Drive

I have always been amazed by the smells one encounters while riding a bike. There was absolutely no traffic on this particular evening, and the aroma of cooked motor oil was strictly behind me. We plunged through the scent of balsam and pine, the cool aroma of little glades that quickly gave up the heat of the day, and places where new growth was sprouting on the sides of the road. And all of this had to be taken by sense of smell, as it was in the dark.

I was looking for a driveway off to the right, just opposite Narrow Lake, and before the old Silver Mine Ski area. There used to be a huge paved lot that is now blocked off by boulders. The lot could easily hold four hundred cars and I could never understand why it was built. It was also about 15 feet below the grade of the road.

Turning into the lot was almost anticlimatic. There is something about a great little ride that causes one to regret its conclusion regardless if something equally nice is at the other end. I knew this lot well and drove to a copse of trees in the far corner. This was not a legitimate camping area. The bike snarled its way through the brush into a small clearing and I killed the engine.

We set up the spartan tent in the glare of the headlight. It was a $20 Canal Street special without a floor. I methodically spread a ground cloth, tightened the guy lines (such as they were), and tended to the bike while Roxanne spread out the sleeping bag and the blanket. There were no bugs and no threat of rain. Nevertheless, the tent had a distinct $20 look to it, and sagged like Nixon’s popularity. I ran two other lines from the top of each pole to a nearby drooping branch.

“Where’s the vodka,” asked Roxanne sweetly, from inside.

I opened the tent with the bottle, and the light from the headlamp illuminated her naked form, outlining her curves and creating enticing pools of shadow. Laughing, I switched off the headlight and drank in the night air. It is amazing how the perfume of a woman’s body is just the right compliment for the scent of balsam, pine, wild flowers, new growth, and vodka. It pretty much goes with everything.

Looking back at something I learned in grade school, my mind stumbles across the four food groups. I forget what they actually are, but I can tell you what they should be: a good motorcycle, a nice stetch of road, a naked woman, and a well-mixed cocktail. You may dispute this until you are blue in the face, or even add conditions, but you will not be able to improve upon my basic formula.

Everything comes to an end. The wind picked up towards dawn and the trees around us started to protest. There was a crack and a heavy branch tumbled. It was the branch I had guyed the tent poles to. Did you ever see one of those stunts where the waiter pulls the tablecloth from a fully set table without disturbing the plates, glasses, or silverware? Well this was a variation on that theme. The branch tumbled down a little hill, and took the tent with it.

It can be argued that naked women may look great wearing only the light from a bike’s headlamp... But they look pretty good in the plain light of dawn too, even as they scramble in the brush for clothing.

Jack Riepe
AKA The Lindbergh Baby (Mac-Pac)
AKA Vindak8r (Delphi)
PS (With A Shrug)
© Copyright 2008 Jack Riepe -- All Rights Reserved

Monday, January 28, 2008

My Failed Perception As A Sensitive Writer

Dear Esteemed Friends and Colleagues:

I read and carefully reread the book -- "The Perfect Vehicle... What Is It About Motorcycles?" by Melissa Holbrook Pierson, and reviewed it on my blog. (Please see the previous story.) This was a legitimate attempt to deliver a useful article, that had something of value to the serious motorcycle rider.

It fell on its ass.

One anonymous reader commented that if they had known that I could write with this degree of sensitivity, we would have parted company years ago. There is a possibility that Leslie (my girlfriend who is currently keeping me on "double secret probation") left this comment. Two other reader comments dealt primarily with Ms. Pierson's opposition to the stance taken by the "Show Us Your Tit's" crowd.

Considering the poor reception this legitimate review drew from the general public, I am going back to writing true accounts of riding my bike through saloon windows, and waking up the next morning with topless dancers in wading pools filled with Jello.

It would appear that people who know me fully understand the depth of this sincerity business as far as I am concerned. The next story on my blog will be how a 1975 Kawasaki 750 became the ultimate sexual attractant for a beautiful woman who should have known better. The title of the piece at the moment is, "Disillusionment Comes With A Triple Exhaust."

The comment section on this blog has been adjusted to accept comments from all, including anonymous sources.

My new post will be up tomorrow, Tuesday, January 29, 2008.

Sincerely (Or Otherwise)
Jack Riepe
AKA The Lindbergh Baby (Mac-Pac)
AKA Vindak8r (Delphi)
PS (With A Shrug)

Saturday, January 26, 2008

Book Review

The Perfect Vehicle, What Is It About Motorcycles
Melissa Holbrook Pierson
(W.W. Norton and Company, 240 pages, $15.95)
My rating: 5 Stars (out of 5)

There is a strong possibility that Melissa Holbrook Pierson’s work, “The Perfect Vehicle, What Is It About Motorcycles,” may also be the most perfect book on motorcycling. It is complex in content and delivers a sophisticated message that will not appeal to all. Yet there is a rare intimacy in its complexity that makes a certain kind of reader/rider feel as if they are party to a private conversation. The 240-page work is part history and part diary; part editorial and part ride report; part love story and part Greek tragedy (in which one character is left standing, surrounded by heartbreak but definitely wiser -- a number of times).
Melissa Holbrook Pierson
photo by Jenna Knudsen Brantmeye

The author easily shifts from one category to the next as if she was changing gears while maneuvering her venerable 1987 Moto Guzzi Lario. In the first chapter, she deals with definitions through the artful presentation of background material, starting with herself. Well-educated, articulate, and refined, Pierson references Mrs. King’s ballroom dancing school, graduate school, “Sir Gawain and the Green Knight,” and William F. Buckley, Jr. in the first three paragraphs. The references are incidental in telling us who she is, where she came from, and how she writes. They define the parameters of an unlikely dichotomy spanning silk scarves and greasy fingernails.

Pierson presents the generalizations and common misconceptions regarding gangs, hogs, and one-percenters in a brief few pages leading up to the elusive definition of a “biker.” The definition is so elusive that it has been the subject of debate for nearly 100 years within the rider community, whose various factions are quick to disqualify all others in exclusively claiming the title for themselves.

How then does the author define a biker?

“My own answer to the question would have to comprise all who have heard a bike sing and thought it one of the most stirring melodies they’ve ever heard; who have wished that in this moment all the cars in the country would disappear to some junkyard far away; who know that a perfect road is defined by its curves, camber, view; who look at bikes, and look for bikes wherever they happen to be.”

Pierson begins to define the allure and power of motorcycles by the emotion, passion, and images they evoke in the hearts, minds and souls of their riders. It is here that she starts to drop names of riders who’ve heard a bike’s song. The first is T.E. Lawrence (of Arabia), 1888–1935, who found the ultimate release in riding a Brough Superior. She will mention other names at appropriate points... Names like Elvis, Malcolm Forbes, George Bernard Shaw, Charles Lindbergh, Konrad Lorenz, Ann Richards, King Albert I of Belgium, and Douglas MacArthur. It is apparent at a glance that each of these individuals was well-versed in living on the edge, getting the most out of life, and pretty much doing what they wanted. Pierson lets the reader draw the obvious conclusion.
T. E. Lawrence

There is a quote from Brendan Byrne, former governor of New Jersey, who states that it was the influence of billionaire publisher Malcolm Forbes, that was finally responsible for getting the Garden State Parkway open to motorcycle traffic.

The history of the motorcycle is the chronicle of speed, and Pierson covers the subject in detail. She cites 1894 as the year of the first official competitive event involving motorcycles -- and automobiles -- over roads between Paris and Rouen. This was only 29 years after the last shot was fired in the Civil War. Three years later, a bicycle defeated a motorcycle in a race held in England. In 1907, however, aviation pioneer and motorcycle enthusiast Glenn Curtis got a bike up to 136.3 miles. Yet a scant 20 years after that, in 1937, German Ernst Henne would take a BMW motorcycle up to 173.5 (This is about as fast as a new BMW K1200GT will go right out of the showroom, 71 years later.)

The story of the motorcycle is also the story of social innovation and rebellion. Pierson quickly leads the reader down a familiar timeline with the introduction of the motorcycle to society (as an innovative and efficient mode of transportation for country doctors), to its present and more dubious reputation. It is World War I that first introduces thousands of young men to the motorcycle and gives the machine’s popularity a huge boost. It is World War II that cements that turns motorcycling into an obsession for so many.
Lawrence and his passion

You cannot write about motorcycles without addressing the noise issue. Pierson delves into the subject predictably enough, but here she serves her readers with the kind of surprise that makes her writing so refreshing. She presents a letter taken from the New York Times that describes the ill-feeling caused by “open muffler fiends, who put the fraternity of bikers in a bad light.” The letter is from 1912. Pierson reports that in the twenties, Harley-Davidson took out full page newspaper ads describing bikers who ran straight pipes as “boobs.” It’s interesting how some things change.

The book offers the reader a number of historical asides. Many will remember with some relief the introduction of the electric starter, which became common in the seventies. According to Pierson, it was first introduced in 1914, on an Indian.

Bikers like to refer to themselves as a great two-wheeled fraternity. And that’s what it was right up through the seventies: a brotherhood. Pierson systematically cites how the accomplishments of women, both in long distance riding (traversing the US, Britain, and Europe far in advance of paved roads) and in racing were downplayed or downright disqualified. Women racers were barred from the track or had their machines disqualified, even in cases when the same machine had been successfully raced by a man the year before. It’s nice to think that these issues were common in the early days of biking, but Pierson makes it clear that sexual discrimination continued throughout the sixties and later.

Pierson points out that women were never disqualified from riding around topless at a number of events, even to this day, while the two-wheeled fraternity shows their appreciation by shouting out, “Show us your tits.” She makes a point of mentioning that subscribers to a certain biker culture will senselessly shout this imperative at passing biker chicks who are already topless, suggesting there is a certain mind-numbing effect to this mantra. The reader gets the distinct impression that the author does not believe this behavior is essential to the biker experience.

All of this makes for great reading, but Pierson’s book positively comes alive through her ride reports and firsthand accounts of trips she’s taken. Yet she presents all of these in subtle style that makes it easy for the reader to miss some of the more adventurous points. Shortly after passing her safety course, the author did her practice riding in Manhattan before riding the bike home to Hoboken, NJ. Neither place is known to have a dearth of traffic nor riding-related challenges.

The intrepid Pierson soon takes her first road trip to Lanconia, New Hampshire, for the annual bike races. She is riding in the company of four experienced bikers. In two days, three of these guys will wreck. She uses this story to illustrate the importance of the helmet, without which two of these gentlemen would have likely died. But it must be noted that the author rode her own ride and was not pushed into the kind of circumstances that resulted in two of these crashes, in which testosterone may have been a factor.

Pierson links certain aspects of her love of riding to the love of several men. She does this in such a way that there is neither sap nor syrup in the details. In each case, the author describes a shared passion that advances her knowledge of riding, her appreciation for the machine, and her awareness of what she experiences when she rides.

The Lanconia run is repeated a few chapters later, with Franz, a one-man spare parts repository, and apparently, a hell of a good mechanic. He also happened to be a dealer for a slightly modified white 1987 Moto Guzzi Lario. This machine becomes the mechanical love of Pierson’s life. This chapter is written like a novel, with two motorcyclists battling a cold, driving rain, for hour after hour. The flavor of the Lanconia event starts with soft ice cream and lobster rolls, then expands to the smell of hot oil and burning rubber, and finally encompasses the thunderous growl of thousands of bikes in surging sea of chrome, rippling the summer atmosphere with their exhaust.
Moto Guzzi V65 Lario

The compelling details of these vignettes are an integral part of the author’s message. But they are also counterbalanced with stories of long rides she has taken by herself. She claims she writes her best poetry at 60 miles per hour.

Melissa Holbrook Pierson is no dilettante waxing poetic about learning to ride a motorcycle. She rides like hell, apparently, and her preferred ride is the Moto Guzzi, one of three marques in constant production since the early twenties. (The other two are BMW and Harley Davidson.) For the uninitiated, the Moto Guzzi is regarded by the faithful as a machine capable of running forever, from time to time. It is not the preferred ride of those unacquainted with a set of metric tools. Yet there is no indication that Holbrook ever owned a set of metric tools throughout this book, and it never deterred her.

One of the best parts of this book is the account of the time the author traveled to Europe, contacted people through a Moto Guzzi network, bought a bike in Germany and rode it to visit the Moto Guzzi holy land in Italy. She sold it before returning home. (I do stuff like this all the time.)

But it must be noted that Pierson is a great writer who also knows how to turn a phase. Here are two examples of her style:

“There was no one I needed to tell that I was taking a train to Philadelphia for a day in the middle of November, so I made a slit in the face of a week and slipped unnoticed through to another place.”

“The sky looked like a used rag.”

Each of these sentences conveys a distinct emotion or image without using an emotional word or a defining color.

I gave this book five stars out a possible five (*****). If you ride a motorcycle and fit the author’s definition of a biker, then this is a book you should read.

Jack Riepe
© 2008 By Jack Riepe
All rights reserved